“Back in 1982, I was working at Time Life in a department called Copy Process. It was dead-end, boring work. I worked one day a week, a graveyard shift, six p.m. to six a.m. I would get a two-hour supper break around midnight. Mondays were when the magazines that Time Life published came out: Time, People, Sports Illustrated, Fortune. There were always stacks of new mags lying around. It was good to get them free. Fringe benefit. I was tearing out all kinds of ads from the magazines. I’d been tearing since 1977, avoiding the editorial parts of the magazines, only interested in the psychologically hopped-up, art directed, “creative” pages…the pages that looked to me like some kind of cross between Rod Serling and Groucho Marx. Unlike the editorial parts, the ads didn’t have an author and seemed to suggest something I could believe in. I was struggling in those days with identity and truth and anger and the ads provided an alternative reality. Something comforting and exciting and close to what a movie experience does when the lights go down and a story is told. Who cares if Newport Lights was putting on a stupid, made- up show. I wanted a show. I wanted entertainment. The truth? I wasn’t familiar with the truth. Why would I have been? No one ever told it.”