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Twombly’s “Peonies”

In the haiku on the farthest right, the warrior relaxes and takes off his armor, capitulating to pleasure and emotion:

AH! The Peonies
For which
Took off his Armour

The haiku poet’s name, Kikaku, means “easy-going.” Ironically, Takarai Kikaku (1661-1707), the disciple of the seventeenth-century master of haiku, Matsuo Basho (1644-94), famously dissented from Basho’s philosophy of karumi or “lightness.” Kikaku’s haiku recalls the legendary occasion when the young fourteenth-century samurai warrior Kusunoki Masashige lowered his guard when faced with the beauty of peony blossoms, just before the momentous battle in which he died.

Mary Jacobus. Reading Cy Twombly: Poetry in Paint. Princeton, 2016.

Also via the Art Institute of Chicago:

In Twombly’s inscription, the initial r in the word armour is smaller than the other letters and was thus likely inserted by the artist as a revision or made to appear as an intentional afterthought. This perhaps intentional pun on the terms amour/armour further conflates the themes of love and violence that shape Kusunoki’s story.