Rhetoric & Composition I Rotating Header Image

Course Projects & Grading

We do a lot of reading, writing, and revising in this course, and we will review and discuss your work at various stages in its production. You should plan ahead in order to stay abreast of the course calendar and to allow time for the most important parts of the writing processes: rereading, revising, and rethinking. The revision process that occurs between your first and final drafts usually requires attention to several elements, such as critical thinking, mechanics, tone, and arrangement, and our grading criteria includes an evaluation of your initiative and follow-through in the revising process. Your evaluations and grades also include in-class writing and your timely, substantive, and professional feedback in peer-editing workshops.

Each major assignment must be completed to receive a passing grade in the course. Deadlines are negotiable only in cases of a documented medical emergency; without prior arrangements, late work will be marked down one letter grade for every day it is late.

Grading and Evaluation Criteria

You are guaranteed a passing grade in the course if you meet the following conditions:

(1) Attendance.  According to course polices, “you may take two unexcused absences during the course. Beyond those, each absence will reduce your course grade substantially, and more than four absences will result in a failing grade.”

(2) Bring the print edition of the Sunday New York Times to class: In order to receive credit for this course, you need to bring the print copy to class — every class — unless we made other arrangements during Week 2. (If you have delivery problems, recall that we brainstormed six or seven or eight strategies that will result in getting a copy of the New York Times for class.)

(3) Assignments. We do a lot of reading, writing, and revising in this course, and we will review and discuss your work at various stages in its production. You should plan ahead in order to stay abreast of the course calendar and to allow time for the most important parts of the writing processes: rereading, revising, and rethinking.

  • Perplexity.  For every assignment, you need to find some genuine question or perplexity.  That is, don’t just tell four obvious reasons why dishonesty is bad or why democracy is good.  Root your paper in a felt question about honesty or democracy—a problem or an itch that itches you.  (By the way, this is a crucial skill to learn for success in college:  how to find a question that interests you–even in a boring assignment.)
  • Thinking.  Having found a perplexity, then use your assignment to do some figuring-out.  Make some intellectual gears turn.  Thus your paper needs to move or go somewhere—needs to have a line of thinking.
  • Critical Thinking: Critical thinking is, in short, self-directed, self-disciplined, self-monitored, and self-corrective thinking. It presupposes assent to rigorous standards of excellence and mindful command of their use. It entails effective communication and problem solving abilities and a commitment to overcome our native egocentrism and sociocentrism. – Adapted from Richard Paul and Linda Elder, The Miniature Guide to Critical Thinking Concepts and Tools, Foundation for Critical Thinking Press, 2008.

“A persistent effort to examine any belief or supposed form of knowledge in the light of the evidence that supports it and the further conclusions to which it tends.” Edward M. Glaser.An Experiment in the Development of Critical Thinking. 1941.

(4) Participation and your contributions to the intellectual life of our class:

  • Raising interesting, relevant, and generative questions that help us understand issues under discussion
  • Being respectful
  • Active listening (excellent background on Listening and Critical Thinking), which includes eye contact and appropriate body languages, which are seen as important components to active listening

All of the writing and document design you do in this class is evaluated with this criteria in mind:

  • Your ability to articulate an intended rhetorical effect, and the steps taken to achieve that effect
  • Your attention to the rhetorical situation and your ability to adapt to multiple audiences
  • Your effective and appropriate use of visuals
  • Your ability to edit and revise

A The writing is exceptional. This is the kind of text that might  lead to promotions in the workplace. It is professional and reflects the writer’s careful consideration of audience and purpose. It contains all necessary information, is written in an appropriate and engaging style, is memorable, and its delivery is visually appealing. It is free of mechanical errors.

B The text is strong. It would be considered acceptable in professional contexts. It too reflects consideration of the rhetorical situation. It is generally above average in terms of the criteria mentioned above, but falls short of excellent in one or more category. It is free of mechanical errors.

C The text is competent. It would probably be returned for revision in professional contexts. It is generally average in terms of the major criteria listed above. It  has few mechanical errors.

D The text is weak. It would probably get the writer into a bad situation in professional contexts. It falls below average in terms of one or more of the major criteria.

F Pink Slip