Please note that this calendar is designed to be flexible: we may make changes along the way, depending on your interests and the needs of the class. Should you miss a class, you are responsible for knowing about—and adjusting for—any changes by getting notes and other materials from a classmate. Professional protocols and collegiality call for you to alert us if you’ll be missing on a day when we’re having a workshop or when you are scheduled to present materials.
Week 1 Introductions, key concepts, & course goals St. Martin’s Handbook, Chapter 1: Expectations for College Writing |
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Thursday, September 11th | In class: Introductions, key concepts, & course goals Due: Course Survey Preview:
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Tuesday, 9/16 |
In class: NYT as assigned
Email your summary to yourself or bring it on a laptop; you’ll need some digital access to it in class. |
Week 2 Summary & Analysis St. Martin’s Handbook, Chapter 8 |
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Thursday, 9/18 |
In class: NYT as assigned — I’ll email instructions on Sunday Due: #1: post your revised initial, first summary in précis form, and keep both versions; we want to be able to see your original summary and the revised version, in précis form. Here’s one possible organizing principle for that. Due #2: Rhetorical précis — your choice: any persuasive essay in this week’s Sunday Review section St. Martin’s 13b: ”Working with quotations”; note how some of the signal verbs are rhetorically active verbs (“claims”) and some are not (“says”). Can you tell the difference? Samples. For class discussion, we’ll focus on p. A1 and the Sunday Review section — come prepared to discuss. |
Tuesday, 9/23 | In class: NYT as assigned Due: Rhetorical précis — Kristof’s Alicia Keys Asks: Why Are We Here? |
Week 3 Reading and writing rhetorically: ethos, pathos, & logos |
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Thursday, 9/25 |
Due: Rhetorical précis on an article of your choice Reading: NYT, as assigned Sunday via email: In class: We will begin class by going around the room and hearing an informal 60-90 second overview of an interesting article that you read in the Sunday NYT — any section, any topic — why it was important and relevant to you, and why it should be important and relevant to us. It’s a great way to get a tour of the Sunday paper, and to find out what people are interested in. |
Tuesday, 9/30 |
In class: NYT as assigned View Page One: Inside the New York Times Due: Rhetorical précis: “Learning to Love Criticism” (SR 8) For your Page One reflection: – What did you learn about the NYT from watching this film? As with all good writing, the more specific you can be, the better. |
Week 4 Planning and drafting a rhetorical analysis & individual conferences — schedule and sign-up TBA |
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Thursday, 10/2 | Reading: NYT, as assigned Due: annotated copy of “How to Stop Time” In class: Writing Center Presentation; moving from summary to rhetorical analysis
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Tuesday, 10/7 | In class: NYT, continued; peer reviews Due: Rhetorical Analysis draft and annotated version |
Week 5 Advocacy and Argument: Op-Ed Project … and why you’ll want to be in a good writing group the next several years |
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Thursday, 10/9 | Reading: NYT, as assigned TBA In class: peer reviews |
Tuesday, 10/14 |
Reading:
Due: Textual Analysis, Final Draft Preview Letters to the Editor:
Last names A-L: submit by Thursday, 10/28 and BCC me |
Week 6 Writing workshops: advocacy and argument |
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Thursday, 10/16 |
Reading: NYT, as assigned
Review: Stasis |
Tuesday, 10/21 |
Due: Op-Ed Statement of Purpose
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Week 7 Advocacy and Persuasion |
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Thursday, 10/23 |
Reading: NYT, as assigned Due: Op-Ed draft The first sentence of your first paragraph will begin, “I have come to believe that _______________________ …” The first sentence of the next three paragraphs will begin with some variation on,
This process helps you — or forces you — to explore doubts about your issue, engages you in some necessary perplexity, and may even result in some truth-seeking behavior |
Tuesday, 10/28 | Due: Op-Ed project 2nd draft Draft #2 made available to Peer Reviewer so that she or he has time to write a rhetorical précis |
Week 8 Editing and Proofreading |
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Thursday, 10/30 | Reading: NYT, as assigned
In class: Editing workshop |
Tuesday, 11/4 |
Reading: NYT, as assigned Due: Op-Ed, final draft and one PIE paragraph Preview: Remix the New York Times |
Week 9 TBA |
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Thursday, 11/6 |
Reading: NYT, as assigned
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Tuesday, 11/11 | Reading: NYT, as assigned In class: Remixing the New York Times workshop Due: Remix “draft” |
Week 10 Conclusion and portfolio development |
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Thursday, 11/13 |
In class: Digital Portfolio Workshop |
Tuesday, 11/18 |
Portfolio workshop and editorial feedback You can work on your portfolios during this time; we will problem-solve any technical or organizational issues; and we will discuss editing and visual, logistical coherence . Due: New York Times, remixed + reflective Statement of Goals and Choices (SoGC) |
Finals Week | |
Our scheduled exam time, when we will meet for the final, official delivery of your WRD103 Portfolio: Thursday, November 20: 11:45 a.m. – 2:00 p.m. Alternative time: Friday, November 21st 11:00 a.m.- 2:00 p.m. in my office, 362 SAC. |